|
THE NEW YORK TIMES
June 30, 2005
Marianne Rohrlich
Walking through
a show house can be overwhelming: there are so many rooms filled with
high-end furniture. The Hampton Designer Showhouse, which opened Sunday
(through Aug. 14) is no different. But if you look carefully--and
understand that decorating is largely in the details--there are tricks
of the trade that anyone can adapt.
With 18 rooms, a
pool house, a gazebo and two backyard entertaining tents, the show house
features 21 designers and lots of "color, clutter and comfort, " in the
words of Mario Buatta, the New York decorator, who helped plan the
event.
Th general theme
could be described as mix and don't match. A living room by Bunny
Williams screamed Southampton with two pink sofas, but Indian fabrics
and throws updated the look. For a family room in the finished
basement (forget knotty-pine paneling), Scott Sanders mixed high-and
low-price furniture. "Everyone wars plain old Levi's jeans with very
expensive shirts, he said. "Why is decorating any different?"
In another
basement room, Anne Pyne of McMillen, the venerable decorating firm,
hung painted canvas on walls inside out, showing the paint that bled
through in an abstract pattern. (There's a good do-it-yourself project.)
Masters of the mix-don't-match approach include Robert Couturier, who
designed a dining room and Bill Sofield and Dennis Anderson, who
decorated a living room.
I have one
request of the sponsors: please stop using builders' spec houses.
I long for the days when a show house educated us about good
architecture, whether in an old house or a new one.
The Hampton
Designer Showhouse, at 61 Down East Lane in Southampton, N.Y., will
benefit the Southampton Hospital. Admission ($30) includes a
catalog and a sourcebook with stores and workshops recommended by the
decorators. For information, call (631) 283-7140.
1. To cover
acoustical ceiling tiles, Ann Pyne cut up used painters' drop cloths and
wrapped the fabric around the tiles, fixing it in place with a staple
gun. The result is an interesting ceiling at a low cost.
2. Bamboo poles
and dried seed pods, common items in florists' shops, became curtain
rods and finials in the hand of Bunny Williams.
3. In the
pool-house dining room, Alessandra Branca covered a chandelier with a
giant sheer lampshade, transforming it into a new fixture.
4. Scott sanders
paired a $9,300 console table from Jon Rosselli & Associates with a $149
Boka ceramic lamps from Crate & Barrel ($329 each) he had an automotive
shop spray-paint them glossy green ($600 for four chairs at Maaco).
5. In an
eclectic dining room, Roubert Couturier slip covered French fauteuils,
set them next to Louis XVI side chairs and added a metal armchair by Ron
Arad.
6. A blown-glass
Jelly Drop lamp adds a nice glow and an unexpected accent when it is
suspended in a tree, said Steven Learner, a New York architect, who
created two outdoor rooms in backyard tents. The lamp, by Andi Kovel, is
$945 from her Portland, Ore. , company, Esque Design. (503)289-6392 or
esquedesign.com.
7. A
19th-century gold music-room chair was given an African kente cloth seat
in an unexpected marriage that works well in Studio Sofield's living
room. Kente clothe is sold at Djema Imports, 6 East 125th Street
(Fifth Avenue), (212) 289-3842 or djemaimports.com.
8. Stereo
speakers mounted on the wall are artfully and inexpensively camouflaged
with Indian cotton in a family room by Bunny Williams.
9. Alongside
Jamie Drake's usual high-end furnishings sits a $338 acrylic coffee
table from Plexi-Craft, 514 West 24th Street, (212) 924-3244 or
plexi-craft.com
|